Now Hear This
Just two months after the release of his seminal album After The Gold Rush, Neil Young played a solo show at The Shakespeare Theater, Stratford, CT on January 22 1971. The show was filmed and recorded, and the concert shown on German TV later in 1971.
In 2020, while Neil and his team were reviewing his Archive for future projects, Neil re-visited the 16mm film and audio recording of this show that had been preserved in the Archive for almost 50 years. Piecing together the tapes and footage, Neil realized that he had the full concert – the film of which is the earliest live footage of Neil performing that is known to exist.
Neil has written on NYA that this show is “superior to our beloved “Massey Hall”. A more calm performance, without the celebratory atmosphere of Massey Hall, captured live on 16mm. “Young Shakespeare” is a very special event. To my fans, I say this is the best ever.”
As an insight into Neil’s prolific song writing at the time, the concert features two songs from the recently released After The Gold Rush but four songs from the classic Harvest album that was still over a year away from being released. The wonderful set list also includes acoustic renditions of favorites such as “Ohio”, “Cowgirl In the Sand”, “Helpless”, “Down By The River” and “Sugar Mountain”.
The ancient analog tapes have been lovingly restored – resulting in (as Neil says on NYA) “one of the most pure sounding acoustic performances we have in the Archive”.
This beautiful concert is being released on LP and CD, plus a deluxe boxed edition that includes both LP and CD and, for the first time ever, a DVD of the concert.
Young Shakespeare is being released almost exactly 50 years after the original performance.
"Skegss have cemented themselves as one of the most intoxicating acts to come out of Australia in years." - Rolling Stone. Skegss are an Australian 3-piece power trio originally from Byron Bay. They combine surf, garage, and slacker elements to create their dynamic sound. The band - comprised of Benny Reed (guitar and vocals), Toby Cregan (bass and vocals) and Jonny Lani (drums). CD Softpak.
MP3 Album: $8.99 Download
On Promises, Sam Shepherd, the British electronic producer, DJ, musician, co-founder of Eglo Records, and leader of 16-piece group Floating Points, has come together with the legendary American jazz saxophonist Pharoah Sanders and the London Symphony Orchestra on a unique and mind-expanding masterpiece.
The Bitter Truth is Evanescence’s first album of new, original music in almost ten years. It’s a return-to-force and an epic rock and roll album. Already-released songs, “Wasted On You,” “The Game Is Over,” and “Use My Voice,” have received early accolades from Elle, Billboard, SPIN, American Songwriter, and more, and showcase the “ferocious and hymnal” (The New York Times) sound that made Evanescence a household name, as well as the drama and powerhouse vocals that made Amy Lee “one of rock’s definitive voices” (Rolling Stone).
ASSEMBLY showcases carefully curated singles, fan favorites, and archival rarities from the JOE STRUMMER solo catalog. This 16-track compilation features three previously unreleased versions of classic Clash tracks, including the never-before-heard “Junco Partner (Acoustic)” and electrifying live performances of “Rudie Can’t Fail” and “I Fought The Law,” the latter two of which were recorded by Joe Strummer and the Mescaleros at London’s Brixton Academy on November 24, 2001.
George Harrison’s passion for introducing the world to new music expressed itself in May of 1974 when he created his own new label – DARK HORSE RECORDS. The label contained a variety of talented artists on its roster, including George himself. ASSEMBLY marks the first new JOE STRUMMER title released via the newly relaunched Dark Horse Records.
All tracks remastered by Grammy Award Winner Paul Hicks (The Beatles/George Harrison/ The Rolling Stones/John Lennon)
Package includes new written foreword by Jakob Dylan
SMITH/KOTZEN is the exciting partnership between guitarists & vocalists Adrian Smith & Richie Kotzen. Part-time LA neighbors, full time friends with a healthy mutual respect—their music is evocative of the classic rock bands of the 70’s brought bang up to date with punchy hooks, harmonies and sheer guitar virtuosity. Debut track “Taking My Chances” sets the tone for this electrifying collaboration between two hugely admired rock music trail-blazers.
On her second full-length record, Head of Roses, Jenn Wasner follows a winding thread of intuition into the unknown and into healing, led by gut feelings and the near-spiritual experience of visceral songwriting. The result is a combination of Wasner’s ability to embrace new levels of vulnerability, honesty and openness, with the self-assuredness that comes with a decade-plus career as a songwriter, producer, multi-instrumentalist and prolific collaborator. Simply put, Head of Roses is a record about heartbreak, but from a dualistic perspective. It’s about the experience of having one’s heart broken and breaking someone else’s heart at the same time. But beyond that, it’s about having to reconcile the experience of one’s own pain with the understanding that it’s impossible to go through life without being the source of great pain for someone else. “Part of the journey for me has been learning to take responsibility for the parts of things that are mine, even when I’m in a lot of pain through some behavior or action of someone else. If I’m expecting to be forgiven for the things I’ve done and the choices I’ve made and the mistakes that I’ve made, it would be incredibly cowardly and hypocritical to not also do the work that’s required to forgive others the pain they caused me.” Showcasing the depth of Wasner’s songwriting capabilities and the complexity of her vision, Head of Roses calls upon her singular ability to create a fully-formed sonic universe via genre-bending amalgamation of songs and her poetic and gut punch lyrics. It’s the soundtrack of Wasner letting go – of control, of heartbreak, and of hiding who she is: “I think I’ve finally reached a point in my career where I feel comfortable enough with myself and what I do, that I’m able to relax into a certain simplicity or straight forwardness that I wasn’t comfortable with before.” Head of Roses puts Wasner’s seismically powerful voice front and center. Those vocals help thread it all together -- it’s a textured musicality, quilted together by intentionality and intuition. Wasner and producer Nick Sanborn (Sylvan Esso, Made of Oak) assembled Head of Roses in the same way you’d put together a mixtape, painstakingly and carefully melding disparate parts into a whole, transcending genre to weave a story of heartache and healing together. And in the same way a homemade, painstakingly-crafted mixtape plays out, with the maker’s fingerprints left all over its songs – so goes Head of Roses. Carefully curated and culled from the depths of Wasner’s heartbreak and healing, it’s deeply, intensely personal. But just as we change ourselves by embracing the pain of loss and uncertainty, so too are the purpose of these songs changed through the act of creating them. Having succeeded in healing the person who made them, they now exist for those who find them in their own moments of need. Always in motion, the original spirit of creation has already flown from this place—but it’s left behind a blueprint, a tool for you, to lean on, too.